By Jorg Rieger, Markus Menschhorn
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Sure, if you're shooting your sister's wedding, she will want the entire ceremony without one second dropped. Nevertheless, you are free to be creative in the before-and-after scenes of the groom's pre-wedding jitters and the bride's payback for those jitters as she crams an entire piece of cake into his mouth at the reception. When filming, remember to give yourself room to work during the editing process. Start each scene or shot with four or five seconds of lead time. Keep the camera on a few seconds longer than you need to when shooting a scene.
When you must pan your camera left to right, move from your waist and not with your hands. The pan will be much smoother and less jerky. In spite of all this discussion on the importance of limiting camera movement, some shots require movement, panning, and zooming. Let the scene determine what's needed, and don't impose movement when none is warranted. KEY TERM Tight shots Another name for a close-up shot that shows a subject up close and in detail without showing much of the periphery. One way to change your camera's perspective without zooming or moving the camera is to shoot from different shot distances.
Shoot from various angles if possible. Don't just interview wedding guests show them walking in the church, talking with greeters, and moving to their seats. You can't do this with every guest, but the variety of following at least one group to their seats adds interest to your video. When the outside lighting is good, capture a few shots of the church from different angles. You can cut these shots between some of the inside shots at times to keep the audience's focus on the overall event. Your audience will appreciate your videos much more if you follow this chapter's simple tasks to improve your shoots.