By Bonnie Adrian
With a marriage coming near near, the Taiwanese bride-to-be turns to bridal photographers, make-up artists, and hair stylists to rework her photograph past popularity. they offer her fairer dermis, eyes like a Western child doll, and robes encouraged by way of resources from Victorian England to MTV.
An soaking up attention of up to date bridal practices in Taiwan, Framing the Bride exhibits how the lavish photos signify greater than mere conspicuous intake. they're artifacts infused with cultural which means and emotional value, items of the gender- and generation-based conflicts in Taiwan's hybrid approach of contemporary matrimony. From the bridal images, the e-book opens out into broader matters reminiscent of courtship, marriage, kinship, globalization, and the that means of the "West" and "Western" cultural photos of beauty.
Bonnie Adrian argues that during compiling huge, immense bridal albums filled with pictures of brides and grooms in sorts of finery, posed in other places, and exuding romance, Taiwanese brides have interaction in a brand new ceremony of passage--one that demanding situations the phrases of marriage set out in traditional marriage ceremony rites. In Framing the Bride, we see how this custom is usually an artistic reaction to U.S. domination of transnational visible imagery--how bridal photographers and their matters take the venture of globalization into their very own palms, defining its phrases for his or her lives whilst they disclose the vacancy of its photographs.
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Additional resources for Framing the Bride: Globalizing Beauty and Romance in Taiwan's Bridal Industry
She was desperately in search of an English tutor. I had a research grant and was out of the tutoring business by this time, so I offered to take her business card and put her in touch with someone else. Ever the opportunist, I told her about my research and asked if she knew anyone either recently married or in the bridal photography business. She told me that a friend of hers operates the oldest bridal salon in Taiwan. qxd 8/21/2003 How Can This Be? 3:48 PM Page 39 39 interview. Christine Suzuka, hearing of my connection to a dear friend, gladly accepted.
Later, when Yu-ling lifted the album to hand it back, Ben-ming commented on how heavy it was. Yu-ling agreed and said he and Jing had the most photographs of all the couples in the club. Someone else asked how much Ben-ming had paid for the photographs. ) Curious about what else I had missed, I invited Mei-hua and Fang, her friend from college, to my apartment for dinner the next night. I asked them to clarify parts of the conversation I had not fully understood. One joke they recounted for me regarded a double exposure print of the groom.
Only through a coincidental chat with a stranger at a concert did I hear about Mrs. Suzuka. The beginnings of the modern bridal industry remain uncertain to me, but clearly the telling of its history takes place through the lens of the present, where T. H. Chen’s company, Sesame, is larger and better known than Mrs. Suzuka’s. Mrs. Suzuka’s bridal salon today is small and of marginal significance in the Taipei bridal industry. Lao Mai, Sesame, and Zhongshi are among Taipei’s oldest and largest bridal salons.