By Herman Melville
Los mejores libros jamás escritos A través de este clásico, Melville logra convertir los angeles historia de los angeles caza de un cachalote en toda una metáfora sobre los angeles condición humana y sus conflictos.
Moby Dick, los angeles novela que William Faulkner hubiera querido escribir, va siempre acompañada del reconocimiento y el elogio que merece toda construcción narrativa impecable. los angeles lucha del capitán Ahab, su negative obsesión y l. a. mítica persecución de l. a. enorme ballena ha traspasado fronteras, consiguiendo así los angeles indiscutible categoría de obra maestra de los angeles literatura universal.
Esta edición cuenta con los angeles introducción del especialista y director del Departamento de Estudios Americanos, Andrew Delbanco, autor de Melville (2005), l. a. biografía de referencia del autor de Moby Dick. Asimismo, incorpora una serie de ilustraciones stories como el mapa de los angeles travesía, un plano del ballenero Pequod y otras curiosidades que enriquecen los angeles experiencia de l. a. lectura y proyectan los angeles imaginación del lector.
«Pero tú, oh ballena, nadas con esa calma hechicera ante quien te ve por primera vez, después de haber engañado y destruido a tantos hombres...»
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«Tenemos que volver a aprender el arte olvidado de l. a. alegría. »
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Additional info for Moby Dick (Penguin Clásicos)
Yet because this statement comes after a twenty-year separation, and because it is not spoken to Ɠntonia, it only serves to underscore the unconsummated state of their romance. An intimacy quickly springs up between Jim and Antonia shortly after they arrive in the farming region outside Black Hawk. Ɠntonia plays the immigrant eager to succeed in her adopted country and, in the first scene between them, she impatiently asks Jim to teach her English. Jim, all but ten, readily complies; after all, he is completely captivated by her brown eyes, which are 舠big and warm and full of light, like the sun shining on brown pools in the wood舡 (p.
In response, the narrator draws attention to the distinction between their male and female perspectives: I told him that how he knew her and felt her was exactly what I most wanted to know about Antonia. He had had opportunities that I, as a little girl who watched her come and go, had not (p. 5). On one level, the narrator is simply trying to reassure Jim that there is nothing wrong with writing about himself in the process of remembering Antonia, but Cather also seems to be offering an indirect justification for adopting a male persona in her novel.
You really are a part of me (p. 192). In response, Antonia wonders, How can it be like that, when you know so many people, and when I舗ve disappointed you so? Ain舗t it wonderful, Jim, how much people can mean to each other? I舗m so glad we had each other when we were little. I can舗t wait till my little girl舗s old enough to tell her about all the things we used to do. You舗ll always remember me when you think about old times, won舗t you? (p. 192). Once again, Cather keeps the two companions curiously beyond each other, while simultaneously insisting on their intimacy.