By Katherine Mansfield
Linda Burnell goals, listless and far away, whereas downstairs her mom units so as the family’s new domestic within the New Zealand nation-state. Her energetic and arduous husband, Stanley, is on the place of work, yet will go back with keen and admiring eyes. Her youngsters arrange lunch on a concrete step and her sister sings love songs to an imaginary younger man.
This is The Aloe, which Katherine Mansfield wrote to crystallise the stories of her early life. It used to be transformed to turn into her acclaimed Prelude.
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«Tenemos que volver a aprender el arte olvidado de los angeles alegría. »
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The letter-writing of empire always indicates its extent, but with Stevenson the range of his journeys everywhere goes further, and his activity as a letter writer is another way of recounting adventure, a method not without parallel among explorers of the period and before. Like others in his day, he often traveled in the least comfortable way, whether it be in the Cȳvennes in France, around Davos in Switzerland, in New York City, at Saranac in the Adirondack Mountains, crossing the United States by a miserable 舠emigrant train舡 (a journey that almost killed him on his way to meet his wife in San Francisco), or traveling by schooner to the Marquesas Islands, Tahiti, and Hawaii and thence to western Samoa, where, seeming to be settled for a change, he bought more than 300 acres of land on which he built Vailima.
Pharmacology could not alter the course of tuberculosis, and it was thought that bracing cold air in a clear mountain climate would remedy the disease. Stevenson spent the winters of 1880 and 1881 at Davos, was erroneously pronounced cured, and left for a life of continued wandering in search of a salubrious climate. Not surprisingly for those who have read The Magic Mountain or the life story of the poet John Keats (1795-1821), TB is a disease of fevers and a feverish existence. With Stevenson this hectic rhythm animated his virtually desperate travels; he became more of an explorer than a tourist, a restless voyager who knew he would never return home to his beloved country.
At the end of his life, settled in western Samoa, he wrote letters to condemn imperial abuses in the islands. The letter-writing of empire always indicates its extent, but with Stevenson the range of his journeys everywhere goes further, and his activity as a letter writer is another way of recounting adventure, a method not without parallel among explorers of the period and before. Like others in his day, he often traveled in the least comfortable way, whether it be in the Cȳvennes in France, around Davos in Switzerland, in New York City, at Saranac in the Adirondack Mountains, crossing the United States by a miserable 舠emigrant train舡 (a journey that almost killed him on his way to meet his wife in San Francisco), or traveling by schooner to the Marquesas Islands, Tahiti, and Hawaii and thence to western Samoa, where, seeming to be settled for a change, he bought more than 300 acres of land on which he built Vailima.