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By Margaret Laurence

The end result and of completion of Margaret Laurence’s celebrated Manawaka cycle, The Diviners is an epic novel.

This is the robust tale of an autonomous girl who refuses to desert her look for love. For Morag Gunn, starting to be up in a small Canadian prairie city is a toughening approach – placing distance among herself and an international that sought after no a part of her. yet in time, the aloneness that had as soon as been pressured upon her turns into a useful correct – relinquished merely in her overwhelming desire for romance. time and again, Morag is pressured to check her energy opposed to the area – and at last achieves the existence she had made up our minds will be hers.

The Diviners has been acclaimed by way of many critics because the striking success of Margaret Laurence’s writing profession. In Morag Gunn, Laurence has created a determine whose adventure emerges as that of all dispossessed humans looking for their birthright, and person who survives as an inspirational image of braveness and endurance.

The Diviners acquired the Governor General’s Award for Fiction for 1974.

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Additional resources for The Diviners

Sample text

Yet because this statement comes after a twenty-year separation, and because it is not spoken to Ɠntonia, it only serves to underscore the unconsummated state of their romance. An intimacy quickly springs up between Jim and Antonia shortly after they arrive in the farming region outside Black Hawk. Ɠntonia plays the immigrant eager to succeed in her adopted country and, in the first scene between them, she impatiently asks Jim to teach her English. Jim, all but ten, readily complies; after all, he is completely captivated by her brown eyes, which are 舠big and warm and full of light, like the sun shining on brown pools in the wood舡 (p.

In response, the narrator draws attention to the distinction between their male and female perspectives: I told him that how he knew her and felt her was exactly what I most wanted to know about Antonia. He had had opportunities that I, as a little girl who watched her come and go, had not (p. 5). On one level, the narrator is simply trying to reassure Jim that there is nothing wrong with writing about himself in the process of remembering Antonia, but Cather also seems to be offering an indirect justification for adopting a male persona in her novel.

You really are a part of me (p. 192). In response, Antonia wonders, How can it be like that, when you know so many people, and when I舗ve disappointed you so? Ain舗t it wonderful, Jim, how much people can mean to each other? I舗m so glad we had each other when we were little. I can舗t wait till my little girl舗s old enough to tell her about all the things we used to do. You舗ll always remember me when you think about old times, won舗t you? (p. 192). Once again, Cather keeps the two companions curiously beyond each other, while simultaneously insisting on their intimacy.

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