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By Yukio Mishima

Within the Temple of the Golden Pavilion, celebrated jap novelist Yukio Mishima creates a haunting portrait of a tender man’s obsession with idealized good looks and his damaging quest to own it fully.

Mizoguchi, an ostracized stutterer, develops a adolescence fascination with Kyoto’s well-known Golden Temple. whereas an acolyte on the temple, he fixates at the structure’s aesthetic perfection and it turns into his one and merely item of hope. yet as Mizoguchi starts to understand flaws within the temple, he determines that the one actual route to attractiveness lies in an act of terrible violence. according to a true incident that happened in 1950, The Temple of the Golden Pavilion brilliantly portrays the passions and agonies of a tender guy in postwar Japan, bringing to the topic the erotic mind's eye and intuition for the dramatic second that marked Mishima as one of many towering makers of recent fiction.

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Additional resources for The Temple of the Golden Pavilion

Example text

They took counsel together and decided to put to death all those that dared disobey them. From officers who had helped put down the Yellow Turban rebels they demanded presents, and if anyone refused to do so, he would be removed from office. Huangfu Song and Zhu Jun both fell victims to these intrigues, while on the other hand the eunuchs received the highest honors. Some of them were given the rank of General of Carriage and thirteen others were ennobled. The state’s affairs went from bad to worse and cries of discontent rose all around.

But just as the rebels were passing through the hills, trumpets sounded and the ambushed soldiers threw down filth and showered blood. Then the masses of troops in the air fluttered to the ground, revealing themselves as paper men and straw horses. At once the wind abated, the thunder ceased to roll, the sand sank, and the stones lay still on the ground. Seeing that his magic had been countered, Zhang Bao quickly turned to retreat. But, attacked on the flanks by Guan Yu and Zhang Fei and in the rear by Liu Bei and Zhu Jun, his army was completely routed.

Therefore, he liked nothing better than cultivating the friendship of men of substance. In appearance, he was tall of stature. He had exceptionally long ears, the lobes touching his shoulders so that his eyes could see his own ears. His arms were long, too, with his hands hanging down below his knees. He had a jade-like complexion and rich, red lips. His name was Liu Bei—or more commonly, Liu Xuan-de—a descendant of Prince Jing of Zhongshan named Liu Sheng, whose father was Emperor Jing in West Han.

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